Home, Crafts and Hobbies Atlas

How Hands Make A Home
Atlas Trail

From Arts and Crafts to Maker Culture

12 stops

A century and a half of hand work answering the machine: the Arts and Crafts revolt against factory production, Japan's parallel mingei philosophy, the studio pottery and studio craft movements it fed, and the counterculture and maker-movement threads that carried the same argument into the twenty-first century.

Stop 1 of 12.
Concepts and Movements

The revolt against factory production that started the argument: hand work as dignity, not nostalgia.

Stop 2 of 12.
Figures

William Morris, the movement's best-known voice, designer and firm-founder.

Stop 3 of 12.
Milestones

The 1851 Great Exhibition, the industrial-technology showcase Arts and Crafts was answering.

Stop 4 of 12.
Concepts and Movements

Japan's own answer, arriving independently: mingei finds beauty in the ordinary, unsigned, hand-made object.

Stop 5 of 12.
Milestones

Where the two threads met: Bernard Leach and Shoji Hamada's 1920 pottery at St Ives.

Stop 6 of 12.
Concepts and Movements

Studio pottery, the movement the Leach Pottery is credited with founding in Britain.

Stop 7 of 12.
Concepts and Movements

Studio craft, the wider American movement across furniture, glass and textiles that followed the same logic.

Stop 8 of 12.
Milestones

The Whole Earth Catalog, 1968's own hand-tools-for-self-reliance answer to industrial scale.

Stop 9 of 12.
Concepts and Movements

Do it yourself, the ethic the Catalog fed into music, home repair and craft alike.

Stop 10 of 12.
Milestones

Make: magazine, launched 2005, gave the twenty-first century's hobbyist-technologist wing a name and a venue.

Stop 11 of 12.
Milestones

The first Maker Faire, 2006, where that community first gathered in public.

Stop 12 of 12.
Milestones

Etsy, launched the same year, gave handmade work a marketplace of its own.

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